grids + diagonals

i was struck, particularly today, that the notion of shaping space, whether one looks at the historical record and the ideas pierre l'enfant penned for washington, or the seemingly haphazard plan for the campus of the university, that several universal principles hold. it seems that the strong idea of a grid can be seen in both physical environments....but in shaping the quad, clearly its designers harkened back to jefferson's sense of space and place as he developed the lawn at the university if virginia. interestingly, jefferson also proposed a similar organization for the plan of the capital city, but that plan didn't come to fruition. what ISN'T built is almost as important as what IS.

in uncg news, the quad was spared from demolition, thus preserving this important character-defining place within our university community. check out the news story.

wrapping up with clay vocabulary

as we finished visiting the campus today in hss105, we headed from the monolithic, modern library tower to the quad, peabody park, the business building, along spring garden to the moore humanities and research administration building, concluding our brisk walk + talk at the gatewood building. students took a CLOSE look at the library tower in this next image...

...now THAT's encountering architecture first hand!

it's all latin to me...

in hss125, our explorations continued with visual evidence from the early and middling days of the republic. we endeavored to look at the great seal of the united states and the various mottoes and imprints there, as well as the images. check out much information on the topic of the seal at greatseal.com, where you'll also read the fascinating history of the decision to place the seal on the back side of the dollar bill in 1935, at the height of the depression. all of this conversation reminded me of the 1997 book, THE WORDS WE LIVE BY: THE CREEDS, MOTTOES, AND PLEDGES THAT SHAPED AMERICA by brian burrell. have a look.

rounding the bend with clay

the students of hss105, gazing upward in the elliott university center entranceway.

today in hss105, we visited three buildings and worked hard to determine the centers in each of them. this exercise continues the larger conversation we're having about centers and edges....and the essential lesson is this: what is true for the "mini-city" of the campus is also true at the building level....thus clay's vocabulary can be tapped and adapted to the building scale...and likely to a room within the building scale. another classic text that sheds light on this basic IMAGEABILITY + LEGIBILITY of a city is kevin lynch's IMAGE OF THE CITY (1960). lynch's work is reviewed on the mobile city blog. worth perusing.

edges

among the most significant edges on campus, the rail line on the south side of the "mini-city" clearly distinguishes us from the properties that face lee street. we were lucky enough that a train came rumbling by to reinforce the sense that sometimes noise is an indicator of where edges and stacks lie, according to clay's terminology. i have to say some of my most favorite moments on campus lie at its edges.

tea party!

in "the tea party," painter henry sargent sets the theatrical scene through light and dramatic color, outfitting the work with greek revival furnishings and fine interior appointments, all a testimony to the burgeoning material culture of the early nineteenth century. in sargent's work, he investigates themes about who is included in and excluded from the social discourse of the party, where he mixes male and female figures in fine dress standing as genteel and fashionable images in the new republic. i posit that we understand the american landscape and its populace as symbolized in the boston interior he depicts. check out the image at the boston museum of fine arts: http://www.mfa.org/collections/search_art.asp?recview=true&id=31744

themes about center + periphery continued the day in hss125, where we investigated a tea cup + a punch bowl, all in the context of "the tea party," a genre painting by henry sargent (boston, 1823). discussion centered around the ideas of space, style, and form in sargent's work, resonating from student forays into jules prown's three-step material culture analysis. themes that this painting gave rise to: worldliness, centrality/periphery, comfort, social discourse...belonging, gentility, refinement, and identity. as hss125 is an investigation of american empires, we elucidated these themes as a way of better illuminating gordon wood's "radicalism" of the post-revolutionary decades.

center + periphery

september 1st brought the realization that school REALLY is underway! in hss105, we walked from the east edge of campus (tate street) to the north side of campus (market street), taking in the architecture along the way and speculating about meanings hidden and not-so-hidden in buildings. following grady clay's method for looking at the city, the students in class searched for fixes, district, fronts, strips, and beats. on thursday, they'll attempt to synthesize all of the efforts at analysis for the uncg campus. you can follow their efforts through the semester by the series of links on the right hand side of the blog. my initial foray is contained here, a page from my sketchbook.

one of the most obvious things about our walk was to understand the center of campus (as it happens...where walker avenue WOULD have crossed college avenue)....a spot between the library and the newer wing of the stone building, marked by the two porticoes of these buildings facing each other across the campus lawn. the specific spot is marked by a circle on college avenue. lots of alignment there....

on the periphery, students saw the "edges" of campus (what clay calls fronts)...and their advancement into the residential college hill neighborhood to the east. on thursday, we continue our exploration of edges....